The Chopin Prelude in A Major Amplified
The Chopin Prelude in A Major is a very short piece that offers a wonderful study in dynamics, color, and rubato. Find tips on how to achieve these effects. »
The Chopin Prelude in A Major is a very short piece that offers a wonderful study in dynamics, color, and rubato. Find tips on how to achieve these effects. »
The Bach French Suite No. 4's Allemande is relatively short, making its contrapuntal demands on the player manageable; get tips on how to play the piece. »
Gain perspectives on interpreting Satie's Gnossienne No. 3, with its flexible sense of rhythm, lack of measure markings, and colorful written indications. »
The Beethoven Moonlight Sonata's first movement is not as simple as it seems; find historical context and tips on ways to interpret the piece with rubato. »
Gain insight into how to play and interpret the Chopin Prelude in E Minor, from using tempo rubato to convey emotion to balancing the right and left hands. »
Multiple perspectives for playing and interpreting the Debussy Rêverie, including communicating the music’s rises and falls through your own breath control. »
Learn more about how to play and interpret Erik Satie’s Gymnopédie No. 3, which involves a wide spectrum of dynamic contrasts and leaps with the left hand. »
Delve into the Bach French Suites by learning the romantic story behind the creation of the Baroque pieces and hearing from both sides of the pedal debate. »
Deepen your interpretation of the Debussy First Arabesque with visual aids, tips for playing triplets against eighth notes, and comparisons to Bach's music. »
A closer look at the Liszt Un Sospiro reveals patterns in the rolling arpeggios, an Impressionistic quality, and some historical background on the piece. »
The Debussy Clair de Lune, the most popular movement from Suite Bergamasque, holds poetry, emotional connection, and intriguing rhythms for these pianists. »
An in-depth look at the Chopin Raindrop Prelude, with its repeated A-flats and tempo rubato, offering multiple perspectives on technique and interpretation. »
After her mother died, the pianist Catherine Shefski decided to relearn and record, for reasons she did not quite understand, the Chopin Waltz in B minor. »