·An oasis for adult piano students and musicians with hearing loss·
·An oasis for adult piano students and musicians with hearing loss·
Receive an email whenever we publish new content.
We respect your privacy. Unsubscribe at any time.
Over the years of playing the piano in public, I’ve passed through many stages of performance anxiety. Perhaps the most difficult time was early on, when I expressed my stage fright through visible physical reactions. I will never forget my adult piano recital of Debussy’s Rêverie, in particular, my clacking shoe.
I have never been one to do anything slowly. I entered high school at age 12, college at 16, and was a vice president in a male-dominated industry at 30. That is, until I studied Haydn.
For years, Ricker Choi, an amateur pianist from Canada, wanted to play a concerto with an orchestra, a dream shared by many students of adult piano lessons.
Ten days before Christmas, my schedule arrived for a conference I was to attend over New Year’s weekend in Charleston.
Matthew Harre believes that performing on the piano is a different art than simply playing the piano. “I think performance is terribly important for adults,” Harre declares.
Matthew Harre, one of the most well-known teachers of adult piano lessons in the Washington DC area, prescribes scales, patience, and practice like many of his music-teaching brethren.
This past August, when our music director, Julie, asked me to play during the Offertory, I decided to dust off a Chopin piece in my repertoire, the Nocturne in E-flat Major.
Several years ago, my piano teacher, Stephen Wu, suggested in his low-key manner that I record myself when I practiced. I allowed a lot of time to elapse before I finally worked up the courage to follow his suggestion, despite his occasional, gentle reminders.
Last week at a New York Piano Society audition, I learned first hand the value of having reentry points in my classical piano music.